Final Cut Pro X Logic Effects
Final Cut Pro X Logic Effects Help
Final Cut Pro X Logic Effects Reference
Final Cut Pro X Logic Effects Help
Final Cut Pro X
Final Cut Pro X Logic Effects > en_US
Final Cut Pro X Logic Effects Reference
Contents
An Introduction to Logic Effects for Final Cut Pro X
About the Logic Effects included with Final Cut Pro X
Additional Resources
Distortion Effects
Bitcrusher
Clip Distortion
Distortion Effect
Distortion II
Overdrive
Phase Distortion
Ringshifter
Getting to Know the Ringshifter Interface
Setting the Ringshifter Mode
Using the Ringshifter’s Oscillator
Using the Ringshifter’s Delay
Modulating the Ringshifter with the Envelope Follower
Modulating the Ringshifter with the LFO
Controlling the Ringshifter Output Parameters
Echo Effects
Delay Designer
Getting to Know the Delay Designer Interface
Getting to Know Delay Designer’s Main Display
Using Delay Designer’s View Buttons
Zooming and Navigating Delay Designer’s Tap Display
Creating Taps in Delay Designer
Delay Designer Tap Creation Suggestions
Identifying Taps in Delay Designer
Selecting Taps in Delay Designer
Moving and Deleting Taps in Delay Designer
Using Delay Designer’s Tap Toggle Buttons
Editing Parameters in Delay Designer’s Tap Display
Aligning Delay Designer Tap Values
Editing Filter Cutoff in Delay Designer’s Tap Display
Editing Pan in Delay Designer’s Tap Display
Editing Taps in Delay Designer’s Tap Parameter Bar
Editing Delay Designer Taps with the Shortcut Menu
Resetting Delay Designer Tap Values
Using Delay Designer’s Master Section
Working with Delay Designer in Surround
Modulation Delay
Stereo Delay
Tape Delay
Equalizers
AutoFilter
Getting to Know the AutoFilter Interface
AutoFilter Threshold Parameter
AutoFilter Envelope Parameters
AutoFilter LFO Parameters
AutoFilter Filter Parameters
AutoFilter Distortion Parameters
AutoFilter Output Parameters
Channel EQ
Channel EQ Parameters
Using the Channel EQ
Using the Channel EQ Analyzer
Fat EQ
Linear Phase EQ
Linear Phase EQ Parameters
Using the Linear Phase EQ
Using the Linear Phase EQ Analyzer
Levels Effects
Types of Dynamics Processors
Adaptive Limiter
Compressor
Compressor Parameters
Using the Compressor
Setting the Compressor Threshold and Ratio
Setting Suitable Compressor Envelope Times
Setting the Compressor Knee
Setting Other Compressor Parameters
Enveloper
Using the Enveloper
Expander
Gain Plug-in
Limiter
Multichannel Gain
Multipressor
Multipressor Parameters
Using the Multipressor
Setting Multipressor Compression Parameters
Setting Multipressor Downward Expansion Parameters
Setting Multipressor Peak/RMS and Envelope Parameters
Setting Multipressor Output Parameters
Noise Gate
Noise Gate Parameters
Using the Noise Gate
Spectral Gate
Spectral Gate Parameters
Using the Spectral Gate
Surround Compressor
Surround Compressor Link Parameters
Surround Compressor Main Parameters
Surround Compressor LFE Parameters
Modulation Effects
Chorus Effect
Ensemble Effect
Flanger Effect
Phaser Effect
Scanner Vibrato Effect
Tremolo Effect
Spaces Effects
Plates, Digital Reverb Effects, and Convolution Reverb
PlatinumVerb
PlatinumVerb Early Reflections Parameters
PlatinumVerb Reverb Parameters
PlatinumVerb Output Parameters
Space Designer Convolution Reverb
Getting to Know the Space Designer Interface
Working with Space Designer’s Impulse Response Parameters
Working in Space Designer’s IR Sample Mode
Working in Space Designer’s Synthesized IR Mode
Setting Space Designer’s IR Sample Rate
Setting Impulse Response Lengths in Space Designer
Working with Space Designer’s Envelope and EQ Parameters
Using Space Designer’s Button Bar
Zooming and Navigating Space Designer’s Envelope View
Setting Space Designer’s Envelope Parameters
Working with Space Designer’s Volume Envelope
Using Space Designer’s Density Envelope
Working with Space Designer’s EQ
Working with Space Designer’s Filter
Using Space Designer’s Main Filter Parameters
Using Space Designer’s Filter Envelope
Working with Space Designer’s Global Parameters
Using Space Designer’s Input Slider
Using Space Designer’s Latency Compensation Feature
Using Space Designer’s Definition Parameter
Using Space Designer’s Rev Vol Compensation
Using Space Designer’s Output Sliders
Working with Pre-Dly (Predelay) in Space Designer
Using Space Designer’s IR Start Parameter
Using Space Designer’s Spread Parameters
Automating Space Designer
Specialized Effects and Utilities
Correlation Meter
Denoiser
Denoiser Main Parameters
Denoiser Smoothing Parameters
Direction Mixer
Using the Direction Mixer’s Spread Parameter
Using the Direction Mixer’s Direction Parameter
Getting to Know Stereo Miking Techniques
Understanding AB Miking
Understanding XY Miking
Understanding MS Miking
Exciter
MultiMeter
Using the MultiMeter Analyzer
Using the MultiMeter Goniometer
Using the MultiMeter’s Level Meter
Using the MultiMeter’s Correlation Meter
Using the MultiMeter Peak Parameters
Stereo Spread
SubBass
SubBass Parameters
Using SubBass
Test Oscillator
Vocal Effects
DeEsser
Pitch Correction Effect
Pitch Correction Parameters
Defining the Pitch Correction Effect’s Quantization Grid
Excluding Notes from Pitch Correction
Automating the Pitch Correction Effect
Pitch Shifter II
Vocal Transformer
Vocal Transformer Parameters
Setting Vocal Transformer Pitch and Formant Parameters
Using Vocal Transformer’s Robotize Mode
Final Cut Pro X Logic Effects
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